Saint Germain des Près during the fifties.
It’s in this frame of music, of teeming ideas but also of the faraway sound ofcanons coming from territories of the French colonial empire, that three unseparable friends, François, Jean and Eduardo are evolving with respect of their origins and their different cultures, but united by the same ideal of human respect, the same love affairs, and the same homeland.
Surrounded by Laurence, Julie, Nieves, their sisters, mothers, girlfriends, lovers, until death or life, separate them but also bring them closer together.
